“C ultural life in Tbilisi during 1910-1920”.“Some features of unknown artist – Ema Lalaeva-Ediberidze”.“Different version of cubo-futurism in the works of Ema Lalaeva-Ediberidze”.Materials of scientific conference dedicated to Petre Melikishvili, Tbilisi, 2009. “Still-life in the works of Klara Kvees” (Georgian painting of 1920s).Materials of International symposium dedicated to Vakhtang Beridze, Tbilisi, 2009. “One aspect of Klasa Kvees’s works” (Georgian painting of 1920s).
Interculturula dialogue in Europe and beyond”, 2010. Materials of International Conference – “Caucasus – Georgia on cultural crossroads. One hall in the exhibit explores the romantic and creative relationship between Natalia Goncharova and her. “Cubo-futurism according to Lali’s (Ema Lalaeva-Ediberidze) work” (Georgian painting of 1920s). cubo-futurism, constructivism and abstract art.“Tbilisi living with aesthetic feelings of the world (cultural life in Tbilisi during 1910-1920), magazine “Old art Today”, Tbilisi, 2011.Cubo-Futurism gained its popularity in the period from 1910 to 1915. Lubok and folk costume, ancient pagan sculptures, icon painting acquired abstract forms and pure colors in Cubo-Futurist paintings. New ideas were drawn from Russian traditional techniques. Gives lectures at Tbilisi State Academy of Fine Arts (History of Georgian Art, History of World Art) Takes part in conferences and collaborates with the scientific magazines. The main goal of the art movement of futurism was the final break with academicism. Unknown women artists.” Since 2009 works at National Agency for Cultural Heritage Preservation of Georgia as a chief coordinator.
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Javakhishvili Tbilisi State University for now. She is PhD student at the faculty of humanities of Iv. Kutateladze Tbilisi State Academy of Fine Arts, Faculty of Architecture, History and Theory of Art with the specialization of Art Historian (Diploma with Distinction). Topics : Georgian fine arts of 1900-1920 years unknown or less-known women artist and their place in the history of Georgian arts Georgian modernism as artistic event, common and differentiating features with Western avant-guard cultural life of Tbilisi in the beginning of XX century old urban narrative of Tbilisi.īiography : In 2003 Kristine Darchia graduates Ap. Research Interests : Georgian fine arts of 1900-1920 years, gender-related problems in Georgian arts. Additionally, a number of leading Cubo-Futurist poets, most notably Mayakovsky, Burliuk, Vasiliy Kamensky and Khlebnikov were among the first Russian artists to openly accept the October Revolution and the Bolshevik regime. Javakhishvili State University chief coordinator at National Agency for Cultural Heritage Preservation of Georgia. The Cubo-Futurists were, however, the most influential strand of Russian Futurism prior to the revolution.
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